Panasonic LUMIX GH6, 25.2MP Mirrorless Micro Four Thirds Camera with Unlimited C4K/4K 4:2:2 10-bit Video Recording, 7.5-Stop 5-Axis Dual Image Stabilizer ? DC-GH6BODY (Renewed)
$1,180.25
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Specification
Overview
| Brand |
Panasonic |
|---|---|
| Model Name |
Panasonic LUMIX GH6 Mirrorless Camera with Unlimited Video Recording |
| Built-In Media |
Camera Body Only |
| Are Batteries Included |
Yes |
| Model Number |
Panasonic LUMIX GH6 |
| Remote Included |
No |
| Model Series |
GH |
| UPC |
656942706519 |
| Manufacturer |
Panasonic |
| Warranty Description |
90 days limited warranty |
| ASIN |
B09VM49J3S |
| Screen Size |
3 Inches |
| Display Type |
LCD |
| Display Resolution Maximum |
25 MP |
| Has Color Screen |
Yes |
| Shooting Modes |
Automatic, Manual, Movie |
| Digital-Still |
Yes |
| Movie Mode |
Yes |
| Image Capture Type |
Stills & Video |
| Night vision |
No |
| Compatible Mountings |
Micro Four Thirds |
| Aspect Ratio |
Unknown |
| Sensor Type |
MOS |
| File Format |
JPEG, RAW |
| Image stabilization |
5-Axis, Dynamic |
| Photo Sensor Resolution |
25 MP |
| Photo Sensor Size |
Micro Four Thirds |
| Minimum Shutter Speed |
1/32000 Seconds |
| Exposure Control |
Manual |
| Form Factor |
Compact, Mirrorless |
| Effective Still Resolution |
25 MP |
| Special Feature |
Dual I.S. 2, 7.5-Stop 5-Axis Stabilizer; ProRes 422 HQ, V-Log and DR Boost |
| Color |
Black |
| Item Weight |
3 Pounds |
| Video Resolution |
2160p |
| Viewfinder |
Electronic |
| Flash Modes |
Automatic |
| Camera Flash |
no flash |
| Skill Level |
Professional |
| Specific Uses For Product |
Videography |
| Compatible Devices |
Computers, External Storage Devices |
| Continuous Shooting |
14 |
| Aperture modes |
Aperture Priority |
| Video Capture Format |
4k,hq |
| Expanded ISO Maximum |
51200 |
| Battery Weight |
3.68 Ounces |
| Battery Cell Type |
Lithium Ion |
| Battery Type |
Lithium Ion |
| JPEG Quality Level |
Fine |
| Bit Depth |
10 Bit |
| Total Still Resolution |
25 MP |
| Maximum Focal Length |
140 Millimeters |
| Lens Type |
Wide Angle |
| White Balance Settings |
Auto |
| Connectivity Technology |
HDMI, USB |
| Wireless Technology |
Bluetooth, Wi-Fi |
| Video Output |
HDMI |
| Total USB 3.0 Ports |
1 |
| Total USB Ports |
1 |
| Total Video Out Ports |
1 |
| Write Speed |
14 fps, 5.7K 60p, 4K 120p |
| Auto Focus Technology |
Contrast Detection |
| Focus Features |
Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter |
| Autofocus Points |
171 |
| Focus Type |
manual-and-auto |
| Focus Mode |
Automatic AF (AF-A), Continuous-Servo AF (AF-C), Manual Focus (MF), Single-Servo AF (AF-S) |
| Autofocus |
Yes |
Helpful –
Five Star Experience!!!
My GH6 arrived on time, in great condition and exceeded my expectations right out of the box. The build quality feels solid and professional, with a reassuring weight that immediately inspires confidence for serious filmmaking. Everything was well-packaged, and the camera powered on and performed exactly as expected.
Leo –
LUMIX GH6 ESSENTIALS
In understanding how good this camera is, you need to start with the basics. The Leica lenses available for this camera, are Not Only the BEST LENSES ON THE MARKET AT ANY PRICE , butthey are consistently so. Fuji lenses are the same. It’s a given that this is the BEST VIDEO camera available. So I won’t waste words there.There is a lot more to this “What’s better the 4/3 cameras or Full Frame ” First you should know that the engineering put forth by Panasonic and Fuji is second to none in this digital business. Panasonic has fine tuned the 4/3 image quality so much that the differences in comparing net results on like a 3’x 4′ blow up, isnot an issue that would make me want to go full frame. Especially when you look, at the baggage size and weight of the full frame bodies and lenses. Just comparing Camera bodies and the ease of function, Panasonic and Fuji have left the others in the dust.My conclusion is , any advantage the Full frames are thought to have, is blown away with Panasonics Leica lenses. These are Leica lenses built with newer and more modern equipment, then Leica ever had before. Take the 16mm 1.4 or the 50-200 2.8 out and shoot them. If you want to do portraits with various light conditions, try the 42.5mm Nocticron 1.2.I guess what I am saying, is that the proof is in the pudding!TRACTOR Man